📍 Opening Ceremony: 18:30, October 10th, 2025
📍 Open to the public: October 11th – October 22nd, 2025
📍 Venue: Nhà Tiền Đường – Temple of Literature, 58 Quốc Tử Giám, Hà Nội
“Sắc Tâm” is a mystical rendezvous — where contemporary lacquer art from Nguyen Art Gallery harmoniously intertwines with the pure scent of agarwood from Trầm Tuệ, resonating within the sacred thousand-year-old space of the Temple of Literature – Quốc Tử Giám.
In the fast-paced rhythm of modern life, people are constantly longing to return to enduring values — a place where the eyes may rest upon beauty, and the soul may find peace once more. Born from that yearning, “Sắc Tâm” offers a sanctuary where lacquer art meets agarwood — not only to awaken the senses through visual aesthetics, but also to guide the inner self toward stillness and serenity.
The exhibition is more than an artistic event; it is a gentle invitation to pause. To feel the cultural heritage of Vietnam through the layers of lacquer, to listen to the silent melody of agarwood, and to reflect upon oneself within the timeless atmosphere of the Temple of Literature — where past and present harmoniously converse.
Nguyen Art Gallery
Presenting a collection of Vietnamese lacquer paintings — a traditional medium that preserves layers of cultural memory through intricate craftsmanship. We believe that true art is not merely for admiration, but a companion that elevates daily life and nurtures the soul toward refinement. When lacquer and agarwood meet, the tangible beauty and inner tranquility merge, creating a sacred and evocative artistic space.
The exhibition features 14 talented artists, each offering a personal narrative through the time-honored medium of lacquer, reimagined with contemporary creativity. Every work carries its own tone, memory, and meditation. The gentle aroma of agarwood fills the air, connecting the space and inviting visitors into quiet contemplation and introspection.
Participating artists include:
Triệu Khắc Tiến, Đỗ Khải, Lương Duy, Trịnh Quế Anh, Lê Khánh Hiếu, Ngô Bá Công, Đặng Hiền, Nguyễn Văn Nghĩa, Nguyễn Hồng Giang, Ngô Tuấn Anh, Trần Tiến Thành, Nguyễn Lương Huyên, Nguyễn Tuấn Cường, and Lê Xuân Hưởng.
From abstraction to realism, from subtlety to strength, each artist’s distinctive style contributes to a harmonious whole — where talent, emotion, and spirit converge, enriching the depth of Vietnamese lacquer art and the soul of “Sắc Tâm.”
Trầm Tuệ
Within the sacred grounds of the Temple of Literature, a symbol of knowledge and thousand-year cultural heritage, Trầm Tuệ proudly unveils its finest agarwood creations — the result of Vietnamese spirit and masterful craftsmanship. Here, agarwood is not only a fragrant offering but a bridge between humanity and its roots — evoking serenity amid the modern rush.
The highlight of “Sắc Tâm” is the debut of a new line of premium agarwood products, marking a significant milestone in Trầm Tuệ’s nine-year journey. More than a showcase of refined artistry, this collection embodies dedication to preserving and elevating Vietnamese cultural essence.
Trầm Tuệ also presents a unique collection of agarwood sculptures — rare artistic masterpieces infused with cultural and spiritual resonance, showcased for the first time within the historic space of the Temple of Literature. The collection celebrates sacred vitality, the enduring spirit of the nation, and the profound depth of Vietnamese heritage.
In addition, two exclusive jewelry collections will be introduced:
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“Sắc Phố – The Grace of Hanoi’s Elegance”
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“Kỳ Sắc Thăng Long – The Radiance of a Thousand-Year Legacy”
These one-of-a-kind designs blend precious materials with exquisite craftsmanship, inspired by the timeless grace of Hanoian women and the proud heritage of Thăng Long – Hà Nội. The collections honor agarwood — nature’s priceless gift — while telling stories of culture, identity, and national pride.
Through its presence at “Sắc Tâm,” Trầm Tuệ seeks to share its creative journey and the cultural spirit of Vietnamese agarwood. Each piece is not merely an exhibit, but a bridge — between past and present, between humanity and nature, between art and spirituality.
